A Hollywood wedding sets the scene for a vivid portrayal of a family whose hopes and fears are as real as our own.
Simon Steinberg and Blaire Scott are among the most respected couples in Hollywood. They have defied the Hollywood cliché and stayed together for decades. Their three children – teenage aspiring model Samantha, pre-med student Scott, and entertainment lawyer Allegra – are successful and happy. Allegra, as an attorney to the stars, has a career that consumes so much of her energy that she has little time for a private life – until a chance encounter with a New York writer turns her life upside down. Suddenly, she finds herself planning a wedding at her parents' Bel Air home.
As preparations begin, the chaos of last-minute arrangements, surprise announcements and ever-increasing anxiety brings out both the best and the worst in everyone. But while couples in each generation of the Steinberg family struggle with broken vows and new hopes, the real meaning of Allegra's wedding emerges. It is a bridge between the past and the future, an opportunity for reconciliation, forgiveness and new hope for the future – as weddings often are for us all.
The traffic moved along the Santa Monica Freeway at a snail's pace, as Allegra Steinberg lay her head back against the seat of the midnight blue Mercedes 300. At this rate, it was going to take forever. She had nothing particular to do on the way home, but it always seemed such an incredible waste of time just sitting there in traffic.She stretched her long legs, sighed, and flicked on the radio, and she smiled as they started playing Bram Morrison's latest single. He was one of her clients at the law firm. She had represented him for over a year. She had a number of important clients. At twenty-nine, four years out of Yale law school, she was a junior partner at Fisch, Herzog, and Freeman. They were one of the most important firms in L.A., and entertainment law had always been her passion.Allegra had known years before that she wanted to go into law, and it had only been for a brief, littlewhile, after two years of summer stock in New Haven during her sophomore and junior years at Yale, that she had thought she might want to be an actress. It wouldn't have surprised anyone in her family, but it wouldn't necessarily have pleased them. Her mother, Blaire Scott, had written and produced one of the most successful shows on television for nine years. It was a comedy, well peppered with serious moments, and some occasional real-life drama. They had had the highest possible ratings for seven of their nine years, and it had earned her mother seven Emmies. Her father, Simon Steinberg, was a major movie producer, and had made some of Hollywood's most important movies. He had won three Academy Awards over the years, and his reputation for box office successes was legend. More importantly, he was that rarest of commodities in Hollywood, a nice man, a gentleman, a truly decent human being. He and Blaire were among the industry's most unusual, and most respected couples. They worked hard, and had a real family, which they devoted a lot of their time to. Allegra had a seventeen-year-old sister, Samantha, "Sam," who was a senior in high school and a model, and who, unlike Allegra, did want to be an actress.Only their brother, Scott, a junior at Stanford, seemed to have escaped show business entirely. He was in pre-med, and all he wanted in lifewas to be a doctor. Hollywood and its alleged magic held no lure for Scott Steinberg.Scott had seen enough of show business in his twenty years. And he even thought Allegra was crazy to be an entertainment lawyer. He didn't want to spend the rest of his life worrying about the "box office," or the gross, or the ratings. He wanted to specialize in sports medicine, and be an orthopedic surgeon. Nice and sensible and down-to-earth. When the bone breaks, you fix it. He had seen enough of the agonies the rest of his family went through, dealing with spoiled, erratic stars, unreliable actors, dishonest network people who disappeared in six months, and quixotic investors. There were highs certainly, and perks admittedly, and they all seemed to love what they did. His mother derived tremendous satisfaction from her show, and his father had produced some great movies. And Allegra liked being an attorney for the stars and Sam wanted to be an actress. But as far as Scott was concerned, they could have it.Allegra smiled to herself, thinking of him, and listening to the last of Bram's song. Even Scott had been impressed when she was able to tell him that Bram was one of her clients. He was a hero. She never said who her clients were, but Bram had mentioned her on a special with Barbara Walters. Carmen Connors was one of her clients too, the Marilyn...
Annie Ferguson was a bright young Manhattan architect. Talented, beautiful, just starting out with her first job, new apartment and boyfriend, she had the world in the palm of her hand--until a single phone call altered the course of her life forever. Overnight, she became the mother to her sister's three orphaned children, keeping a promise she never regretted making, even if it meant putting her own life indefinitely on hold.Now, at forty-two, as independent as ever, with a satisfying career and a family that means everything to her, Annie is comfortable being single and staying that way. She appears to have no time for anything else. With her nephew and nieces now young adults and confronting major challenges of their own, Annie is navigating a parent's difficult passage between lending them a hand and letting go, and suddenly facing an empty nest. The eldest, twenty-eight-year-old Liz, an overworked, struggling editor in a high-powered job at Vogue, has never allowed any man to come close enough to hurt her. Ted, at twenty-four a serious and hardworking law student, is captivated by a much older, much more experienced woman with children, who is leading him much further than he wants to go. And the youngest, twenty-one-year-old Katie--impulsive, artistic, rebellious--is an art student about to make a choice that will lead her to an entirely different world she is in no way prepared for but determined to embrace.Then, just when least expected, a chance encounter changes Annie's life yet again in the most unexpected direction of all. From Manhattan to Paris and all the way to Tehran, Family Ties is a novel that reminds us how challenging and unpredictable life can be, and that the powerful bonds of family are the strongest of all. From the Hardcover edition.
"Steel is one of the best!"
Chapter One
Seth Adams left Annie Ferguson's West Village apartment on a sunny September Sunday afternoon. He was handsome, funny, intelligent, fun to be with, and they had been dating for two months. They had met at a Fourth of July picnic in the Hamptons, and he was as excited about his career as Annie was about her own. He had graduated from Harvard Business School two years before and was enjoying a meteoric rise at a Wall Street investment bank. Annie had graduated from Columbia Architecture School six months before, and she was reveling in the excitement of her first job with an important architecture group. It was her dream come true. And the handsome pair had spotted each other across a crowded room, and it was infatuation at first sight. It had been a great summer so far, and they were already talking about renting a ski house together with some of their friends. They were falling in love and looking forward to good times ahead.Annie was having the time of her life: weekends with Seth, passionate lovemaking, happy times on the pretty little sailboat that he had just bought. She had it all, new man, new home, first big step in the career she had worked so hard for. She was on top of the world, twenty-six years old, tall, blond, beautiful. She had a smile that could have melted the world, and a lot to smile about. Her life these days was everything she had dreamed of.She had to force Seth to leave that afternoon after another perfect weekend on his boat, but she had work to do. She wanted to spend some time on her first big project for a client meeting the following day. She knew she had to blow their socks off, and the plans she had been working on were meticulously done, and her immediate supervisor had shown a lot of respect for her ideas and was giving her a chance to shine. Annie was just sitting down at her drafting table when her cell phone rang. Although he had only left the apartment five minutes before, she thought it might be Seth. He called her sometimes on his way home, to tell her how much he already missed her.She smiled, thinking of him, and then saw from the caller ID that it was Jane, her older sister by ten years. The two sisters were crazy about each other, and Jane had been like a mother to her since their parents had passed away when Annie was eighteen. Jane was happily married, lived in Greenwich, Connecticut, and had three adorable children. The two sisters looked almost like twins. Jane was a slightly older version of Annie, and she was looking forward to meeting Seth. He sounded like a keeper to her. All she hoped for Annie was that she would find someone as wonderful as her own husband Bill and be as happily married one day. Jane and Bill Marshall had been married for fourteen years and still acted like they were on their honeymoon. They were role models Annie hoped to emulate one day, but for now she was focused on her brand-new career, in spite of the delightful distraction provided by Seth for the past two months. Annie wanted to be a great architect one day."Is he there?" Jane asked conspiratorially, and her younger sister laughed. Jane was a freelance illustrator of children's books and a proficient artist, but she had always been more interested in her husband and children than in her career. Bill was the publisher of a small but respected publishing house. They had spent the weekend in Martha's Vineyard, closing up their summer house, and enjoying a romantic weekend away from their three kids."He just left," Annie answered."Why so early?" Jane sounded disappointed for...
The spellbinding novel from the world's favourite storyteller.
Annabelle Worthington, born into a life of privilege, was raised amid the glamour of New York society.But everything changes on a cold April day in 1912, when the sinking of the Titanic alters her world forever.
Finding strength within her grief, Annabelle throws herself into volunteer work, nursing the poor and igniting a passion for medicine that will shape the course of her life. But a seemingly idyllic marriage brings more grief, and pursued by a scandal she does not deserve Annabelle flees New York for war-ravaged France. There she finds her true calling, working as an ambulance medic on the front lines. When the war ends, Annabelle begins a new life in Paris – now a doctor and mother, her past almost forgotten. . . until a fateful meeting opens her heart to the world she had left behind.
Chapter 1
On the morning of April 14, 1912, Annabelle Worthington was reading quietly in the library of her parents' house, overlooking the large, walled-in garden. The first signs of spring had begun to appear, the gardeners had planted flowers, and everything looked beautiful for her parents' return in the next few days. The home she shared with them and her older brother Robert was a large, imposing mansion, at the northern reaches of Fifth Avenue in New York. The Worthingtons, and her mother's family, the Sinclairs, were directly related to the Vanderbilts and the Astors, and somewhat more indirectly to all the most important New York families. Her father, Arthur, owned and ran the city's most prestigious bank. His family had been in banking for generations, just as her mother's family had been in Boston. Her brother Robert, at twenty-four, had worked for her father for the past three years. And of course, when Arthur retired one day, Robert would run the bank. Their future, like their history, was predictable, assured, and safe. It was comforting for Annabelle to grow up in the protection of their world. Her parents loved each other, and she and Robert had always been close and gotten along. Nothing had ever happened to upset or disturb them. The minor problems they encountered were always instantly buffered and solved. Annabelle had grown up in a sacred, golden world, a happy child, among kind, loving people. The past few months had been exciting for her, although tempered by a recent disappointment. In December, just before Christmas, she had been presented to society at a spectacular ball her parents had given for her. It was her debut, and everyone insisted it was the most elegant and extravagant debutante ball New York had seen in years. Her mother loved giving beautiful parties. The garden had been covered over and heated. The ballroom in their home was exquisite. The band had been the most coveted in the city. Four hundred people had attended, and the gown Annabelle had worn made her look like a fairy princess. Annabelle was tiny, elfin, delicate, even smaller than her mother. She was a petite blonde, with long, silky golden hair, and huge blue eyes. She was beautiful, with small hands and feet, and perfect features. Throughout her childhood her father always said she looked like a porcelain doll. At eighteen, she had a lovely, well-proportioned slim figure, and a gentle grace. Everything about her suggested the aristocracy that was her heritage and that she and all her ancestors and relations had been born into. The family had shared a lovely Christmas in the days following the ball, and after all the excitement, parties, and nights out with her brother and parents, in flimsy evening gowns in the winter weather, in the first week of January, Annabelle had fallen ill with a severe case of influenza. Her parents had been worried about her when it turned rapidly to bronchitis, and then nearly to pneumonia. Fortunately, her youth and general good health helped her to recover. But she had been sick and had run fevers in the evenings for nearly a month. Their doctor had decided finally that it would be unwise for her to travel in her weakened condition. Her parents and Robert had planned a trip for months, to visit friends in Europe, and Annabelle was still convalescing when they left on the Mauretania in mid-February. She had traveled on the same ship with them many times before, and her mother offered to stay home with her this time, but by the time they left, Annabelle was well enough for them to leave her alone. She had insisted that her mother...
From the dazzle of a society party to the chaos of a makeshift hospital, from the pampered lives of rock stars to the quiet heroism of emergency volunteers....
On a warm May night in San Francisco, a glittering, celebrity-studded crowd gathers for a charity event. Just minutes before midnight, the room begins to sway. Glass shatters, the lights go out, and people start to scream....
In the earthquake's aftermath, the lives of four strangers will converge:
Sarah Sloane, the beautiful wife of a financial star, watches her perfect world fall to pieces.
Melanie Free, award-winning singer, comes to a turning point in her career.
Everett Carson, a former war correspondent whose personal demons have demoted him to covering society parties, finds new purpose amid the carnage.
Sister Maggie Kent, a nun who does her best work in jeans and trainers, searches through the rubble — and knows instantly that there is much work to be done.
The city staggers back to life, and a chain reaction will touch each of the survivors as they find the amazing grace of new beginnings.
Chapter One Sarah Sloane walked into the ballroom of the Ritz-Carlton in San Francisco and thought it looked fantastic. The tables were set with cream-colored damask cloths, the silver candlesticks, flatware, and crystal gleamed. They had been rented from an outside source, which had donated their use for the evening, and offered fancier options than those provided by the hotel. The plates were rimmed with gold. Silver-wrapped party favors were on the tables at each place. A calligrapher had written up the menus on heavy ecru stock, and they'd been clipped into little silver stands. The placecards with tiny gold angels on them had already been set down according to Sarah's carefully thought-out seating chart. The gold sponsor tables were at the front of the room, three rows of them in fact, with the silver and bronze tables behind them. There was a beautiful program on every seat, along with an auction catalogue and numbered paddle. Sarah had organized the event with the same meticulous diligence and precision that she did everything, and in the way she had run similar charity events in New York. She had given every detail a personal touch, and it looked more like a wedding than a benefit, as she glanced at the cream-colored roses encircled with gold and silver ribbons on every table. They had been provided by the city's best florist at one-third of the normal cost. Saks was providing a fashion show, Tiffany was sending models to wear their jewelry and wander through the crowd. There was an auction of high-ticket items, which included jewelry, exotic trips, sports packages, celebrity meet-and-greet opportunities, and a black Range Rover parked in front of the hotel with a huge gold bow tied on top. Someone was going to be very happy driving the car home at the end of the evening. And the neonatal unit at the hospital benefiting from the evening was going to be even happier. This was the second Smallest Angels Ball that Sarah had organized and run for them. The first one had netted them more than two million dollars, between seat prices, the auction, and donations. She hoped to make three million tonight. The high caliber of the entertainment they were providing would help them get to their goal. There was a dance band, which would play on and off during the night. One of the other members of the committee was the daughter of a major Hollywood music mogul. Her father had gotten Melanie Free to perform, which allowed them to charge high prices for both individual seats and particularly the sponsor tables. Melanie had won a Grammy three months earlier, and her single performances like this one usually ran a million five. She was donating her performance. All the Smallest Angels had to pick up were her production costs, which were quite high. The cost of travel, lodgings, food, and the set-up of her roadies and band was estimated to cost them three hundred thousand dollars, which was a bargain, considering who she was and the cataclysmic effect of her performance.Everyone was so impressed when they got the invitation and saw who was performing. Melanie Free was the hottest musical artist in the country at the moment and dazzling to look at. She was nineteen years old and had had a meteoric rise in the last two years, due to her consistent hits. Her recent Grammy was the icing on the cake, and Sarah was grateful she was still willing to do their benefit for free. Her greatest fear had been that Melanie would cancel at the last minute. With a donated performance, a lot of stars and singers dropped out hours before they were expected to show up....
In a spellbinding blend of suspense and human drama, Danielle Steel tells a powerful and unusual story of one woman's journey from darkness into light, as she fights to escape a mesmerizing sociopath who holds her in his thrall....Hope Dunne has carved out a name for herself as a top photographer, known the joys of marriage and motherhood, and the heartbreak of loss. In her chic SoHo loft, Hope is content with her life, finding serenity and beauty through the lens of her camera. She isn't looking for a man or excitement. But these things find her when she accepts a last- minute assignment to fly to London at Christmas and photograph one of the world's most celebrated writers--an Irish-American author known for novels of thrilling literary darkness. To Hope's surprise, Finn O'Neill exudes warmth and a boyish charm. Enormously successful, he is a perfect counterpoint to Hope's quiet, steady grace--and he's taken instantly by her. He courts her as no one ever has before, whisking her away to his palatial, isolated Irish estate.Hope finds it all, and him, irresistible. Finn's magnetism and brilliance are undeniable. But soon cracks begin to appear in his stories: gaps in his history, a few innocent lies, and bouts of jealousy unnerve her. Suddenly Hope is both in love and suspicious, caring and deeply in doubt, and ultimately frightened of the man she loves. Alone, thousands of miles from home, her mind is reeling. Is she just being paranoid? How many lies has he told? Are there more secrets to come? Is it possible that this adoring, attentive man--like the characters in his novels--is hiding something even worse? The spell cast by a brilliant sociopath has her trapped in his web, too confused and dazzled to escape as he continues to tighten his grip on her. With razor-sharp insight, Danielle Steel delivers an unforgettable tale of danger and obsessive love. Fearlessly telling the truth, refusing to look away, Steel proves once again that as an American storyteller she has no peer when she explores the dark secrets that sometimes lurk just below the surface of ordinary lives, writing about men and women and their courage to prevail, in this case, even in the face of evil.From the Hardcover edition.
Chapter One Hope Dunne made her way through the silently falling snow on Prince Street in SoHo in New York. It was seven o'clock, the shops had just closed, and the usual bustle of commerce was shutting down for the night. She had lived there for two years and she liked it. It was the trendy part of New York, and she found it friendlier than living uptown. SoHo was full of young people, there was always something to see, someone to talk to, a bustle of activity whenever she left her loft, which was her refuge. There were bright lights in all the shops. It was her least favorite time of year, December, the week before Christmas. As she had for the past several years, she ignored it, and waited for it to pass. For the past two Christmases, she had worked at a homeless shelter. The year before that she had been in India, where the holiday didn't matter. It had been a hard jolt coming back to the States after her time there. Everything seemed so commercial and superficial in comparison. The time she had spent in India had changed her life, and probably saved it. She had left on the spur of the moment, and been gone for over six months. Reentry into American life had been incredibly hard. Everything she owned was in storage and she had moved from Boston to New York. It didn't really matter to her where she lived, she was a photographer and took her work with her. The photographs she had taken in India and Tibet were currently being shown in a prestigious gallery uptown. Some of her other work was in museums. People compared her work to that of Diane Arbus. She had a fascination with the destitute and devastated. The agony in the eyes of some of her subjects ripped out your soul, just as it had affected hers when she photographed them. Hope's work was greatly respected, but to look at her, nothing about her demeanor suggested that she was famous or important. Hope had spent her entire life as an observer, a chronicler of the human condition. And in order to do that, she had always said, one had to be able to disappear, to become invisible, so as not to interfere with the mood of the subject. The studies she had done in India and Tibet for the magical time she was there had confirmed it. In many ways, Hope Dunne was an almost invisible person, in other ways, she was enormous, with an inner light and strength that seemed to fill a room. She smiled at a woman passing by, as she walked through the snow on Prince Street. She was tempted to go for a long walk in the snow, and promised herself she might do that later that evening. She lived on no particular schedule, answered to no one. One of the blessings of her solitary life was that she was entirely at liberty to do whatever she wished. She was the consummate independent woman, she was enormously disciplined about her work, and in dealing with her subjects. Sometimes she got on the subway, and rode uptown to Harlem, wandering through the streets in T-shirt and jeans, taking photographs of children. She had spent time in South America, photographing children and old people there too. She went wherever the spirit moved her, and did very little commercial work now. She still did the occasional fashion shoot for Vogue if the layout was unusual. But most of the magazine work she did was portraits of important people who she thought were worthwhile and interesting. She had published a remarkable book of portraits, another of children, and was going to publish a book of her photographs from India soon. She was fortunate to be able to do whatever she wanted. She could pick and choose...
Chapter OneIt was a beautiful hot July day in Marin County, just across the Golden Gate Bridge from San Francisco, as Tanya Harris bustled around her kitchen, organizing her life. Her style was one of supreme order. She loved having everything tidy, in its proper place, and in control. She loved to plan, and therefore she rarely ran out of anything, or forgot to do anything. She enjoyed a predictably efficient life. She was small, lithe, in good shape, and didn't look her age, which was forty-two years old. Her husband, Peter, was forty-six. He was a litigator with a respected San Francisco law firm, and didn't mind the commute to Ross, across the bridge. Ross was a prosperous, safe, highly desirable suburban community. They had moved there from the city sixteen years before because the school system was excellent. It was said to be the best in Marin.Tanya and Peter had three children. Jason was eighteen and was leaving for college at the end of August. He was going to UC Santa Barbara, and although he couldn't wait to go, Tanya was going to miss him terribly. And they had twin daughters, Megan and Molly, who had just turned seventeen.Tanya had loved every moment of the last eighteen years, being a full-time mom to her kids. It suited her perfectly. She never found it burdensome or boring. The tedium of driving car pools had never seemed intolerable to her. Unlike mothers who complained of it, she loved being with her children, dropping them off, picking them up, taking them to Cub Scouts and Brownies, and she had been head of the parents' association of their school for several years. She took pride in doing things for them, and loved going to Jason's Little League and basketball games, and whatever the girls did as well. Jason had been varsity in high school, and was hoping to make either the basketball or tennis team at UCSB.His two younger sisters, Megan and Molly, were fraternal twins, and were as different as night and day. Megan was small and blond like her mother. She had been an Olympic-caliber gymnast in her early teens, and only gave up national competitions when she found it was interfering with her work at school. Molly was tall, thin, and looked like Peter, with dark brown hair and endless legs. She was the only member of the family who had never played competitive sports. She was musical, artistic, loved taking photographs, and was a whimsical, independent soul. At seventeen, the twins were going into their senior year. Megan wanted to go to UC Berkeley like her mother, or maybe UCSB. Molly was thinking about going east, or to a college in California where she could follow artistic pursuits. She had been thinking seriously about USC in L.A., if she stayed out west. Although the twins were very close, they were both adamant about not going to the same school. They had been in the same school and class all through elementary and high school, and now they were both ready to go their own ways. Their parents thought it was a healthy attitude, and Peter was encouraging Molly to consider the Ivy League schools. Her grades were good enough, and he thought she'd do well in a high-powered academic atmosphere. She was considering Brown, where she could design her own curriculum in photography, or maybe film school at USC. All three of the Harris children had done exceptionally well in school.Tanya was proud of her children, loved her husband, enjoyed her life, and had thrived in their twenty-year marriage. The years had flown by like minutes since she'd married Peter as soon as she'd graduated from college. He had just graduated from Stanford Law School, and...
Young architect Michael Hillyard and artist Nancy McAllister are determined to get married despite his wealthy mother's disapproval. Then, minutes before their wedding, a terrifying accident and a cruel deception separate Michael and Nancy -- perhaps forever. Each pursues a new life -- Nancy in California, Michael in New York. But eventually nothing -- and no one -- can keep them apart as they keep their vow never to say good-bye.From the Paperback edition.
Chapter OneThe early morning sun streamed across their backs as they unhooked their bicycles in front of Eliot House on the Harvard campus. They stopped for a moment to smile at each other. It was May and they were very young. Her short hair shone in the sunshine, and her eyes found his as she began to laugh. "Well, Doctor of Architecture, how do you feel?" "Ask me that in two weeks after I get my doctorate." He smiled back at her, shaking a lock of blond hair off his forehead. "To hell with your diploma, I meant after last night" She grinned at him again, and he rapidly swatted her behind. "Smartass. How do you feel, Miss McAllister? Can you still walk?" They were hitching their legs over the bicycles now and she looked back at him teasingly in answer. "Can you?" And with that, she was off, pulling ahead of him on the pretty little bike he had bought her for her birthday only a few months before. He was in love with her. He had always been in love with her. He had dreamed of her all his life. And he had known her for two years. It had been a lonely time at Harvard before that, and well into his second year of graduate school he was resigned to more of the same. He didn't want what the others wanted. He didn't want Radcliffe or Vassar or Wellesley in bed with him. He had known too many of those girls during his undergraduate days, and for Michael there was always something missing. He wanted something more. Texture, substance, soul. He had solved the problem for himself very nicely the summer before, with an affair with one of his mother's friends. Not that his mother had known. But it had been fun. She was a damned attractive woman in her late thirties, years younger than his mother, of course, and she was an editor at Vogue. But that had been merely sport. For both of them. Nancy was different. He had known from the first moment he had seen her in the Boston gallery that showed her paintings. There was a haunting loneliness about her countrysides, a solitary tenderness about her people that filled him with compassion and made him want to reach out to them and to the artist who painted them. She had been sitting there that day in a red beret and an old raccoon coat, her delicate skin still glowing from her walk to the Charles Street gallery, her eyes shining, her face alive. He had never wanted any woman as he wanted her. He had bought two of her paintings, and taken her to dinner at Lockober's. But the rest had taken longer. Nancy McAllister wasn't quick to give her body or her heart. She had been too lonely for too long to give herself easily. At nineteen she was already wise and well versed in pain. The pain of being alone. The pain of being left. It had plagued her since she had been put in the orphanage as a child. She could no longer remember the day her mother had left her there shortly before she died. But she remembered the chill of the halls. The smells of the strange people. The sounds in the morning as she lay in her bed fighting back tears. She would remember those things for the rest of her life. For a long time she had thought nothing could fill the emptiness inside her. But now she had Michael. Theirs wasn't always an easy relationship, but it was a strong one, built on love and respect; they had meshed her world and his, and come up with something beautiful and rare. And Michael was no fool either. He knew the dangers of falling in love with someone "different," as his mother put it when she got the chance. But there was nothing "different" about Nancy. ...
When Coco reluctantly agrees to house-sit for Jane, she discovers Jane's unexpected houseguest: Leslie Baxter, a dashing but down-to-earth British actor who's fleeing a psycho ex-girlfriend. Their worlds couldn't be more different. The attraction couldn't be more immediate. And as Coco contemplates a future with one of Hollywood's hottest stars, as her mother and sister settle into their lives, old wounds are healed and new families are formed - some traditional, some not-so-traditional, but all bonded by love.
With wit and intelligence, Danielle Steel's new novel explores love in all its guises, taking us into the lives of three unusual, but wonderfully real couples. Funny, sexy and wise, ONE DAY AT A TIME is at once moving, thought provoking, and utterly impossible to put down.
Chapter One It was an absolutely perfect June day as the sun came up over the city, and Coco Barrington watched it from her Bolinas deck. She sat looking at pink and orange streak across the sky as she drank a cup of steaming Chinese tea, stretched out on an ancient, faded broken deck chair she had bought at a yard sale. A weather-worn wooden statue of Qan Ying observed the scene peacefully. Qan Ying was the goddess of compassion, and the statue had been a treasured gift. Under the benevolent gaze of Qan Ying, the pretty auburn-haired young woman sat in the golden light of the sunrise, as the early summer sun shot copper lights through her long wavy hair, which hung nearly to her waist. She was wearing an old flannel nightgown with barely discernible hearts on it, and her feet were bare. The house she lived in sat on a plateau in Bolinas, overlooking the ocean and narrow beach below. This was exactly where Coco wanted to be. She had lived here for four years. This tiny forgotten farm and beach community, less than an hour north of San Francisco, suited her perfectly at twenty-eight. Calling her home a house was generous. It was barely more than a cottage, and her mother and sister referred to it as a hovel or, on better days, a shack. It was incomprehensible to either of them why Coco would want to live there--or how she would even tolerate it. It was their worst nightmare come true, even for her. Her mother had tried wheedling, insulting, criticizing, and even bribing her to come back to what they referred to as "civilization" in L.A. Nothing about her mother's life, or the way she had grown up, seemed "civilized" to Coco. In her opinion, everything about it was a fraud. The people, the way they lived, the goals they aspired to, the houses they lived in, and the face-lifts on every woman she knew. It all seemed artificial to her. Her life in Bolinas was simple and real. It was uncomplicated and sincere, just like Coco herself. She hated anything fake. Not that her mother was "fake." She was polished and had an image she was careful to maintain. Her mother had been a best-selling romance novelist for the past thirty years. What she wrote wasn't fraudulent, it simply wasn't deep, but there was a vast following for her work. She wrote under the name Florence Flowers, a nom de plume from her own mother's maiden name, and she had enjoyed immense success. She was sixty-two years old and had lived a storybook life, married to Coco's father, Bernard "Buzz" Barrington, the most important literary and dramatic agent in L.A. until his death four years before. He had been sixteen years older than her mother and was still going strong when he died of a sudden stroke. He had been one of the most powerful men in the business, and had babied and protected his wife through all thirty-six years of their marriage. He had encouraged and shepherded her career. Coco always wondered if her mother would have made it as a writer in the early days without her father's help. Her mother never asked herself the same question and didn't for an instant doubt the merit of her work, or her myriad opinions about everything in life. She made no bones about the fact that Coco was a disappointment to her, and didn't hesitate to call her a dropout, a hippie, and a flake. Coco's equally successful sister Jane's assessment of her was loftier, though not kinder: Jane referred to Coco as a "chronic underachiever." She pointed out to her younger sister that she had had every possible opportunity growing up, every chance to make a success of her life, and thus far had thrown it all away. She reminded her regularly that...
Danielle Steel explores the perils of dating, relationships and love in a novel that takes us into the intoxicating, infuriating world of three charming single men.
They were the best of friends and the most daunting of bachelors . . . . Charlie Harrington, a charming, handsome philanthropist, has such high expectations for his perfect bride that no mortal need apply . . . Adam Weiss, a forty-something celebrity lawyer, prefers his women very young, very voluptuous, and very short term . . . And for Gray Hawk, a gifted artist with a knack for attracting troubled relationships, women are fine; it's just the idea of family he can't imagine (particularly the family of the woman he's dating).
Now, the three friends, spending their annual summer vacation cruising the Mediterranean aboard Charlie's majestic yacht, are about to have their bachelorhoods rocked. By autumn, all three will fall precipitously into relationships they never saw coming. Charlie begins dating a crusading social worker who couldn't be further from his ideal — until he makes a stunning discovery about her. Adam gets involved with his usual twenty-something bombshell — only this one has a remarkable mind of her own. And Gray, who has avoided both business and family like the plague, has managed to fall head over heels for a successful career woman — who just happens to be a mother as well.
As another holiday on the yacht approaches, and with it, a turning point in each man's life, the three bachelors are forced to face the things that scare them most: their phobias about relationships, the wounds of the past — and the kind of women who challenge their deepest terrors. What happens next will spark big changes for Charlie, Adam, and Gray — and might just put an end to their carousing days forever. For as the once-carefree trio is about to discover, love is the most unpredictable adventure of all.
Filled with all the joy, complexity and unexpected surprises of life, Toxic Bachelors is Danielle Steel at her poignant and penetrating best.
Chapter OneThe sun was brilliant and hot, shining down on the deck of the motor yacht Blue Moon. She was 240 feet, eighty meters, of sleek, exquisite powerboat, remarkably designed. Pool, helipad, six elegant, luxurious guest cabins, a master suite right out of a movie and an impeccably trained crew of sixteen. The Blue Moon--and her owner--had appeared in every yachting magazine around the world. Charles Sumner Harrington had bought her from a Saudi prince six years before. He had bought his first yacht, a seventy-five-foot sailboat, when he was twenty-two. She had been called the Dream. Twenty-four years later, he enjoyed life on his boat as much as he had then. At forty-six, Charles Harrington knew that he was a lucky man. In many ways, seemingly, life had been easy for him. At twenty-one, he had inherited an enormous fortune and had handled it responsibly in the twenty-five years since. He had made a career of managing his own investments and running his family's foundation. Charlie was well aware that few people on earth were as blessed as he, and he had done much to improve the lot of those less fortunate, both through the foundation and privately. He was well aware that he had an awesome responsibility, and even as a young man, he had thought of others first. He was particularly passionate about disadvantaged young people and children. The foundation did impressive work in education, provided medical assistance to the indigent, particularly in developing countries, and was dedicated to the prevention of child abuse for inner-city kids. Charles Harrington was a leader of the community, doing his philanthropic work quietly, through the foundation, or anonymously, whenever possible. Charles Harrington was a humanitarian, and an extremely caring, conscientious person. But he also laughed mischievously when he admitted that he was extremely spoiled, and made no apologies for the way he lived. He could afford it, and spent millions every year on the well-being of others, and a handsome amount on his own. He had never married, had no children, enjoyed living well, and when appropriate, took pleasure in sharing his lifestyle with his friends. Every year, without fail, Charlie and his two closest friends, Adam Weiss and Gray Hawk, spent the month of August on Charlie's yacht, floating around the Mediterranean, stopping wherever they chose. It was a trip they had taken together for the past ten years. It was one they all looked forward to, and would have done just about anything not to miss. Every year, come hell or high water, on August first, Adam and Gray flew to Nice and boarded the Blue Moon for a month--just as they had done on her predecessors every year before that. Charlie was usually on the boat for July as well, and sometimes didn't return to New York until mid--or even late September. All his foundation and financial matters were easily handled from the boat. But August was devoted to pure fun. And this year was no different. He sat quietly eating breakfast on the aft deck, as the boat shifted gently, at anchor, outside the port of St. Tropez. They had had a late night the night before, and had come home at four a.m. In spite of the late night, Charlie was up early, although his recollections of the evening before were a little vague. They usually were when Gray and Adam were involved. They were a fearsome trio, but their fun was harmless. They answered to no one, none of the three men were married, and at the moment none had girlfriends. They had long since agreed that, whatever their situations, they would come aboard alone, and spend the month as bachelors, living among men,...
Four sisters, a Manhattan brownstone and a tumultuous year of loss and courage are at the heart of Danielle Steel's new novel about a remarkable family, a stunning tragedy – and what happens when four very different young women come together under one very lively roof.
Candy - it's the only the name she needs - is blazing her way through Paris, New York and Tokyo as fashion's latest international supermodel... Her sister, Tammy, has a job producing the most successful hit show on TV, and a home she loves in L.A.'s Hollywood Hills... In New York, oldest sister Sabrina is an ambitious young lawyer, while Annie is an American artist in Florence, living for her art... On one Fourth of July weekend, as they do every year, the four sisters come home to Connecticut for their family's annual gathering. But before the holiday is over, tragedy strikes and their world is utterly changed.
Suddenly, four sisters who have been fervently pursuing success and their own lives - on opposite sides of the world - come together to share one New York brownstone, to support each other and their father, and to pick up the pieces while one sister struggles to heal her shattered body and soul. Thus begins an unscripted chapter of their lives, as a bustling house is soon filled with eccentric dogs, laughter, tears, friends, men...and the kind of honesty and unconditional love only sisters can provide. But as the four women settle in, each is forced to confront the direction of their respective lives. As the year passes and another July Fourth approaches, a season of grief and change gives way to new beginnings as a family comes together to savour its blessings and a future filled with unexpected gifts, surprises, and ultimately, hope.
With unerring insight and compassion, Danielle Steel tells a compelling story of four sisters who love and laugh, struggle and triumph... and are irrevocably woven into the fabric of each other's lives. Brilliantly blending humour and heartbreak, she delivers a powerful message about the fragility - and the wonder - of life.
Chapter One The photo shoot in the Place de la Concorde, in Paris, had been going since eight o'clock that morning. They had an area around one of the fountains cordoned off, and a bored-looking Parisian gendarme stood watching the proceedings. The model stood in the fountain for hours on end, jumping, splashing, laughing, her head thrown back in practiced glee, and each time she did it, she was convincing. She was wearing an evening gown hiked up to her knees, and a mink wrap. A powerful battery-operated fan blew her long blond hair out in a mane behind her. Passersby stopped and stared, fascinated by the scene as a makeup artist in a tank top and shorts climbed in and out of the fountain to keep the model's makeup perfect. By noon, the model still looked like she was having a fabulous time, as she laughed with the photographer and his two assistants between shots as well as on camera. Cars slowed as they drove by, and two American teenagers stopped and stared in amazement as they strolled by and recognized her. "Oh my God, Mom! It's Candy!" the older of the two girls intoned with awe. They were on vacation in Paris from Chicago, but even Parisians recognized Candy easily. She was the most successful supermodel in America, and on the international scene, and had been since she was seventeen. Candy was twenty-one now, and had made a fortune modeling in New York, Paris, London, Milan, Tokyo, and a dozen other cities. The agency could barely handle the volume of her bookings. She was on the cover of Vogue at least twice a year, and was in constant demand. Candy was, without a doubt, the hottest model in the business, and a household name even to those who knew little about fashion. Her full name was Candy Adams, but she never used her last name, just Candy. She didn't need more than that. Everybody knew her, her face, her name, her reputation as one of the world's leading models. She managed to make everything look like fun, whether she was running through snow barefoot in a bikini in the freezing cold in Switzerland, walking through the surf in an evening gown in the winter on Long Island, or wearing a full-length sable coat under a blazing sun in the Tuscan hills. Whatever she did, she looked as though she was having a ball doing it. Standing in the fountain in the Place de la Concorde in July was easy, despite the heat and the morning sun, in one of Paris's standard summer heat waves. The shoot was for another Vogue cover, for the October issue, and the photographer, Matt Harding, was one of the biggest in the business. They had worked together hundreds of times over the last four years, and he loved shooting with her. Unlike other models as important as she was, Candy was always easy--good-natured, funny, irreverent, sweet, and surprisingly naive after the success she'd enjoyed since the beginning of her career. She was just a nice person, and an incredible beauty. She didn't have a single bad angle. Her face was virtually perfect for the camera, with no flaws, no defects. She had the delicacy of a cameo, with finely carved features, miles of naturally blond hair that she wore long most of the time, and blue eyes the color of sky and the size of saucers. Matt knew she liked to party hard and stay out late, and amazingly it never showed in her face the next day. She was one of the lucky few who could get away with playing and never have it show afterward. She wouldn't be able to get away with it forever, but for now she still could. If anything, she only got prettier with age, although at twenty-one, one could hardly expect her to be...
In this heartfelt and incisive new novel, Danielle Steel celebrates the virtues of unconventional beauty while exploring deeply resonant issues of weight, self-image, sisterhood, and family. A chubby little girl with blond hair, blue eyes, and ordinary looks, Victoria Dawson has always felt out of place in her family, especially in body-conscious L.A. Her father, Jim, is tall and slender, and her mother, Christina, is a fine-boned, dark-haired beauty. Both are self-centered, outspoken, and disappointed by their daughter's looks. When Victoria is six, she sees a photograph of Queen Victoria, and her father has always said she looks just like her. After the birth of Victoria's perfect younger sister, Gracie, her father liked to refer to his firstborn as "our tester cake." With Gracie, everyone agreed that Jim and Christina got it right. While her parents and sister can eat anything and not gain an ounce, Victoria must watch everything she eats, as well as endure her father's belittling comments about her body and see her academic achievements go unacknowledged. Ice cream and oversized helpings of all the wrong foods give her comfort, but only briefly. The one thing she knows is that she has to get away from home, and after college in Chicago, she moves to New York City. Landing her dream job as a high school teacher, Victoria loves working with her students and wages war on her weight at the gym. Despite tension with her parents, Victoria remains close to her sister. And though they couldn't be more different in looks, they love each other unconditionally. But regardless of her accomplishments, Victoria's parents know just what to say to bring her down. She will always be her father's "big girl," and her mother's constant disapproval is equally unkind.When Grace announces her engagement to a man who is an exact replica of their narcissistic father, Victoria worries about her sister's future happiness, and with no man of her own, she feels like a failure once again. As the wedding draws near, a chance encounter, an act of stunning betrayal, and a family confrontation lead to a turning point. Behind Victoria is a lifetime of hurt and neglect she has tried to forget, and even ice cream can no longer dull the pain. Ahead is a challenge and a risk: to accept herself as she is, celebrate it, and claim the victories she has fought so hard for and deserves. Big girl or not, she is terrific and discovers that herself.From the Hardcover edition.
Chapter OneJim Dawson was handsome from the day he was born. He was an only child, tall for his age, had a perfect physique, and was an exceptional athlete as he grew older, and the hub of his parents' world. They were both in their forties when he was born, and he was a blessing and surprise, after years of trying to have a child. They had given up hope, and then their perfect baby boy appeared. His mother looked at him adoringly as she held him in her arms. His father loved to play ball with him. He was the star of his Little League team, and as he grew older, the girls swooned over him in school. He had dark hair and velvety brown eyes and a pronounced cleft in his chin, like a movie star. He was captain of the football team in college, and no one was surprised when he dated the homecoming queen, a pretty girl whose family had moved to southern California from Atlanta in freshman year. She was petite and slim with hair and eyes as dark as his, and skin like Snow White. She was gentle and soft spoken and in awe of him. They got engaged the night of graduation and married on Christmas the same year.Jim had a job in an ad agency by then, and Christine spent the six months after graduation preparing for their wedding. She had gotten her bachelor's degree, but her only real interest during her four years in college was finding a husband and getting married. And they were a dazzling pair with their flawless all-American good looks. They were a perfect complement to each other and reminded all who saw them like a couple on the cover of a magazine.Christine had wanted to model after they were married, but Jim wouldn't hear of it. He had a good job, and made a good salary, and he didn't want his wife to work. What would people think of him if she did? That he wasn't able to provide for her? He wanted her at home and waiting for him every night, which was what she did. And people who knew them said they were the best-looking couple they had ever seen.There was never any question about who wore the pants in the family. Jim made the rules, and Christine was comfortable that way. Her own mother had died when she was very young. And Jim's mother, whom Christine called Mother Dawson, sang her son's praises constantly. And Christine readily revered him just as his parents had. He was a good provider, a loving husband, fun to be with, a perfect athlete, and he rose steadily in importance in the ad agency. He was friendly and charming with people, as long as they admired him and didn't criticize him. But most people had no reason to. Jim was a personable young man, he made friends easily, and he put his wife on a pedestal and took good care of her. All he expected of her was to do as he said, worship and adore him, and let him run the show. Her father had had similar ideas, and she'd been perfectly brought up to be the devoted wife of a man like him. Their life was everything she had hoped for, and more. There were no unpleasant surprises with Jim, no strange behavior, no disappointments. He protected her and took care of her, and provided handsomely. And their relationship worked perfectly for both of them. Each knew their role in the relationship and played by the rules. He was the Adored, and she the Adorer.They were in no hurry to have children for the first few years, and might have waited longer if people hadn't begun to comment about why they didn't have them. It felt like criticism to Jim, or like the suggestion that maybe they couldn't have them, although they both enjoyed their independence without children to tie them down. Jim took her on weekend trips frequently, they went on fun vacations, and he took her out...
One woman's struggle to break free from the past – and the man who helps her triumph
Faith Madison is the very picture of a sophisticated New Yorker. Slim, blonde, stylish, married to a successful merchant banker and having raised two daughters, Faith has a life many would envy. But Faith has overcome a childhood marred by tragedy, and has carried within herself a secret she could divulge to no-one.
The sudden death of her stepfather sets off a journey of change and revelation. At the funeral, painful memories flood back – and an old friend re-enters Faith's life. Brad, a long lanky boy from her childhood days who had teased, tormented and protected her. Now a busy lawyer in California, Brad re-enters Faith's life just as she makes a decision that plunges her marriage into crisis. As these two childhood friends rediscover each other, Faith is finally ready to face the most painful step of all: of sharing a secret that has long been haunting her, and opening up her heart for the first time in her life.
Faith madison looked small and serious and stylish, as she set the table, tossed a salad, and glanced into the oven at the dinner she'd prepared. She was wearing a well-cut black suit, and at forty-seven, she was still as slim as she had been when she married Alex Madison twenty-six years ago. She looked like a Degas ballerina, with her green eyes, and her long straight blond hair, which she had knotted into a sleek bun. She sighed, and sat down quietly in one of the kitchen chairs. The small elegant brownstone townhouse on East Seventy-fourth Street in New York was deadly quiet, and she could hear the clock ticking, as she waited for Alex to come home. She closed her eyes for a minute, thinking of where she had been that afternoon. And as she opened them again, she could hear the front door open and close. There was no other sound, no footstep on the hall carpet, no shout of "hello" as he walked in. He always came in that way. He locked the door behind him, set down his briefcase, hung his coat up in the closet, and glanced at his mail. In time, he would come looking for her. He would check her small study, and then glance into the kitchen to see if she was there. Alex Madison was fifty-two years old. They had met when she was in college, at Barnard, and he was in business school at Columbia. Things had been different then. He had been enchanted by Faith's open easy ways, her warmth, her energy, her joy. He had always been quiet and reserved, and cautious with his words. They married as soon as she graduated, and he got his MBA. He had been an investment banker ever since. She had worked as a junior editor at Vogue for a year after graduating, and loved it, and then stopped when she went to law school for a year. She dropped out when her first child was born. Eloise had just turned twenty-four and had moved to London in early September. She was working at Christie's, and learning a lot about antiques. Faith's other daughter, Zoe, at eighteen, was a freshman at Brown. After twenty-four years of full-time mothering, Faith had been out of a job for the past two months. The girls were gone--and she and Alex were suddenly alone. "Hi, how was it?" Alex asked as he walked into the kitchen looking tired. He barely glanced at her and sat down. He'd been working hard on two IPOs. It didn't even occur to him to touch her or to hug her. Most of the time, he spoke to her from across the room. He didn't do it out of malice, but it had been years since he'd come home from the office and given her a hug. She had no idea when he'd stopped. She'd been so busy with their daughters that she didn't notice, until one day she realized that he didn't touch her when he came home anymore. She was always doing homework with the girls, or bathing one of them, when he came home at night. But it had been a long, long time since he'd been affectionate with her. Longer than either of them knew or cared to remember. There was a chasm between them now that they had both long since accepted, and she felt as though she were looking at him from a great distance as she poured him a glass of wine. "It was all right. Sad," she said, as he glanced at the paper, and she took the chicken out of the oven. He preferred fish, but she hadn't had time to buy any on the way home. "He looked so small." She was speaking of her stepfather, Charles Armstrong. He had died two days before, at the age of eighty-four. The rosary had been that day, and the casket had been open so Charles could be "viewed" by family and friends. "He was...
The greatest legacy of all...an unexpected gift of a life transformed.
In my eyes she had always been old, always been mine, always been Granny Dan. But in another time, another place, there had been dancing, people, laughter, love...
She was the cherished grandmother who sang songs in Russian, loved to roller-skate, and spoke little of her past. But when Granny Dan died, all that remained was a box wrapped in brown paper. Inside, an old pair of satin ballet shoes, a gold locket, and a stack of letters tied with ribbon. It was her legacy, a secret past, waiting to be discovered by the granddaughter who loved her but never really knew her. It was a story waiting to be told...
The year was 1902. A motherless young girl arrived at ballet school in St Petersburg. By the age of seventeen Danina Petroskova was forced to make a heartbreaking choice – as the world around her was about to change forever. In this extraordinary novel a simple box, filled with mementos from a grandmother, offers a long-forgotten history of youth and beauty, love and dreams.
Prologue The box arrived on a snowy afternoon two weeks before Christmas. It was neatly wrapped, tied with string, and was sitting on my doorstep when I came home with the children. We had stopped in the park on the way home, and I had sat on a bench, watching them, thinking of her again, as I had almost constantly for the last week since her service. There was so much about her I had never known, so much I had only guessed at, so many mysteries to which only she held the key. My greatest regret was not asking her about her life when I had the chance, but just assuming it wasn't important. She was old, after all, how important could it be? I thought I knew everything about her. She was the grandmother with the dancing eyes who loved to roller-skate with me, even into her late eighties, who baked exquisite little cookies, and spoke to the children in the town where she lived as though they were grown up and understood her. She was very wise, and very funny, and they loved her. And if they pressed her to, she did card tricks for them, which always fascinated them. She had a lovely voice, played the balalaika, and sang beautiful old ballads in Russian. She always seemed to be singing, or humming, always moving. And to the very end, she was lithe and graceful, loved by all, and admired by everyone who knew her. The church had been surprisingly full for a woman of ninety. Yet none of us really knew her. None of us understood who she had been, or where, or the extraordinary world she had come from. We knew she had been born in Russia and that she arrived in Vermont in 1917, and that she had married my grandfather sometime later. We just assumed she had always been there, part of our lives, just as she was. As one does about old people, we assumed she had always been old. None of us really knew anything about her, and what lingered in my head were the unanswered questions. All I could ask myself now was why I had never thought to ask her. Why had I never sought the answers to the questions? My mother had died ten years before and perhaps even she hadn't known the answers or wanted to know them. My mother had been far more like her father, a serious sort, a sensible woman, a true New Englander, although her father wasn't. But like him, she was a woman of few words and impenetrable emotions. Little said, little known, and seemingly uninterested in the mysteries of other worlds, or the lives of others. She went to the supermarket when there were specials on tomatoes and strawberries, she was a practical person who lived in a material world, and had little in common with her own mother. The word that best described my own mother was solid, which is not the word anyone would have used to describe her mother, Granny Dan, as I called her. Granny Dan was magic. Granny Dan seemed to be made up of air and fairy dust and angel wings, all things magical and luminous and graceful. The two women seemed to have nothing in common with each other, and it was always my grandmother who drew me to her like a magnet, whose warmth and gentleness touched my heart with countless unspoken graceful gestures. It was Granny Dan I loved most of all, and whom I was missing so desperately that snowy afternoon in the park, wondering what I would do without her. She had died ten days before, at ninety. When my mother died at fifty-four, I was sorry, and knew I would miss her. I would miss the stability she represented to me, the reliability, the place to come home to. My father married her...
What happens when lives that fit together like delicately balanced puzzles begin to pull in different directions?
For fourteen years, Steve and Meredith Whitman have sustained a marriage of passion and friendship, despite the demands of two all-consuming careers. Meredith is a top investment banker, Steve a gifted physician – the only thing missing in their life is children. Steve longs for them. But Meredith keeps putting off motherhood, and now she has been offered an extraordinary job opportunity in San Francisco, three thousand miles away. Steve urges her to accept, saying that he's more than happy to uproot himself and will join her as soon as he can find a new job himself. Perhaps in California, he hopes, they can begin a family at last.
Neither Steve nor Meredith had reckoned on a prolonged separation, but Steve's job keeps him in New York for months longer than planned. Weekends together fall prey to their hectic schedules. Alone in San Francisco, Meredith is spending long hours at the office with her boss, charismatic entrepreneur Callan Dow. Steve is working late shifts at the hospital, grabbing an occasional dinner with a new female colleague. Almost unnoticed, Steve and Meredith have begun living separate lives, and irresistible forces start to tear their lives and hearts apart.