Elizabeth Little Books in Order

Picture a Missouri-born wordsmith who spun linguistic curiosities into gripping thrillers—meet Elizabeth Little! A Harvard grad with a knack for unraveling mysteries, both cultural and criminal, Li...

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Picture a Missouri-born wordsmith who spun linguistic curiosities into gripping thrillers—meet Elizabeth Little! A Harvard grad with a knack for unraveling mysteries, both cultural and criminal, Little burst onto the literary scene with her Los Angeles Times–bestselling debut, Dear Daughter. Her storytelling, laced with wit and psychological depth, has captivated readers and critics alike, making her a standout in contemporary crime fiction.

Now based in Los Angeles, Little’s journey from nonfiction explorations of language to twisty novels showcases her versatility. Whether she’s decoding America’s diverse tongues or crafting heroines who outsmart their pasts, her work invites readers into worlds where curiosity meets suspense.

The Making of Elizabeth Little

Born and raised in St. Louis, Missouri, Elizabeth Little grew up with a love for words that led her to Harvard University, where she earned a Bachelor of Arts. Her early career wasn’t in fiction but in journalism and nonfiction, contributing to outlets like the New York Times, Wall Street Journal, and Los Angeles Review of Books. These gigs honed her sharp, observant style, but it was her fascination with language—its quirks, cultures, and power—that set the stage for her first books.

Before thrillers, Little explored America’s linguistic landscape in two nonfiction works, blending humor and scholarship. This unique foundation shaped her fiction, where dialogue crackles and settings pulse with cultural nuance, proving her storytelling was destined for bigger stages.

Elizabeth Little’s Unforgettable Stories

Little’s debut novel, Dear Daughter (2014), was a game-changer. This psychological thriller follows Janie Jenkins, a former ‘It Girl’ fresh out of prison, piecing together her mother’s murder. Praised as ‘a breath of fresh air’ by Kate Atkinson, it snagged the Strand Critics Award for Best First Novel and nominations for the Barry, Macavity, and CWA John Creasey Dagger awards. Its sharp prose and unreliable narrator drew comparisons to Gone Girl, cementing Little’s place in crime fiction.

Her follow-up, Pretty as a Picture (2020), dives into the chaotic world of filmmaking. Film editor Marissa Dahl unravels a decades-old murder on a quirky island set, blending cinephile charm with suspense. Critics lauded its ‘funny, fast-paced’ vibe, with the Wall Street Journal calling it ‘a pleasure to read.’ Little’s nonfiction roots shine in earlier works like Biting the Wax Tadpole (2007), a hilarious dive into linguistic mishaps, and Trip of the Tongue (2012), a road-trip exploration of America’s diverse languages.

Little’s style is a cocktail of wit, psychological insight, and cultural curiosity. Her heroines—flawed, fierce, and whip-smart—navigate murky pasts with humor and grit. Themes of identity, memory, and truth weave through her fiction, while her nonfiction celebrates language as a bridge between cultures, making her stories both thrilling and thought-provoking.

Why Elizabeth Little Matters

Elizabeth Little’s impact lies in her ability to blend genres and perspectives. Her thrillers don’t just entertain—they probe the human psyche, challenging readers to question narratives and motives. Dear Daughter redefined the unreliable narrator for a new generation, while her nonfiction amplifies marginalized voices, from Gullah speakers to Amish communities. Her work resonates with readers who crave smart, character-driven stories that don’t sacrifice suspense.

In a crowded genre, Little’s scholarly edge and playful tone stand out, earning her a loyal following and critical acclaim. As she crafts her next novel—a locked-room mystery set in Silicon Valley—she continues to push boundaries, proving that language, whether in a courtroom or a culture, is a puzzle worth solving.

  • Born: St. Louis, Missouri
  • Education: Harvard University, Bachelor of Arts
  • Key Works: Dear Daughter, Pretty as a Picture, Biting the Wax Tadpole, Trip of the Tongue
  • Awards: Strand Critics Award for Best First Novel; nominations for Barry, Macavity, and CWA John Creasey Dagger

Snag Dear Daughter and dive into Elizabeth Little’s thrilling world of secrets and smarts!

Frequently Asked Questions

Who is Elizabeth Little?

Elizabeth Little is a St. Louis-born, Harvard-educated author known for her Los Angeles Times–bestselling thriller Dear Daughter. She blends witty crime fiction with linguistic insights from her nonfiction works like Biting the Wax Tadpole, captivating readers with sharp heroines and twisty plots.

What is Elizabeth Little’s best book?

Dear Daughter (2014) is Elizabeth Little’s standout, a gripping thriller about an ex-con unraveling her mother’s murder. It won the Strand Critics Award and earned Barry and Macavity nominations, praised for its clever prose and Gone Girl vibes.

What inspired Elizabeth Little’s writing?

Elizabeth Little’s love for language and culture, sparked by her Harvard studies and nonfiction like Trip of the Tongue, fuels her thrillers. A CNN news alert inspired Dear Daughter, while her cinephile passion shaped Pretty as a Picture’s film-set mystery.

What is Pretty as a Picture about?

Pretty as a Picture (2020) follows film editor Marissa Dahl solving a decades-old murder on a quirky island movie set. Elizabeth Little’s witty, fast-paced thriller blends cinephile charm with suspense, earning praise from the Wall Street Journal.

What themes does Elizabeth Little explore?

Elizabeth Little’s works dive into identity, memory, and truth. Her thrillers, like Dear Daughter, unravel psychological puzzles, while her nonfiction, like Trip of the Tongue, celebrates cultural and linguistic diversity, bridging human experiences with humor.

Where does Elizabeth Little live now?

Elizabeth Little lives in Los Angeles with her family, where she crafts thrilling novels like Pretty as a Picture and explores America’s cultural tapestry, a theme rooted in her nonfiction work Trip of the Tongue.