Sarah Dunant Books in Order

Picture a British storyteller who whisks you from the gritty streets of modern London to the opulent courts of Renaissance Italy—meet Sarah Dunant! Born in 1950, this novelist, broadcaster, and cri...

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Picture a British storyteller who whisks you from the gritty streets of modern London to the opulent courts of Renaissance Italy—meet Sarah Dunant! Born in 1950, this novelist, broadcaster, and critic has captivated readers with her thrilling mysteries and richly detailed historical novels. With a knack for blending feminist themes and compelling storytelling, Dunant’s work invites you to explore women’s lives through the ages, making history feel as vibrant as today.

From her early days as a BBC presenter to her international bestselling novels, Dunant’s journey is as dynamic as her characters. Whether you’re a fan of crime fiction or historical epics, her stories promise to hook you with their wit, depth, and unapologetic focus on women’s voices.

The Making of Sarah Dunant

Born on August 8, 1950, in London, Sarah Dunant grew up in a vibrant household, the daughter of a Welsh airline steward turned British Airways manager and his French wife, who was raised in Bangalore, India. Educated at Godolphin and Latymer School, she later studied history at Newnham College, Cambridge, where she dabbled in theater with the Footlights club. Her adventurous spirit led her to Tokyo, where she worked as an English teacher and nightclub hostess, before traveling through Southeast Asia and the Americas—experiences that fueled her early writing.

Dunant’s career kicked off at BBC Radio 4, producing the arts program Kaleidoscope, and later presenting shows like The Late Show on BBC2. In her late twenties, she began writing political thrillers with a friend, including the 1988 BBC drama series Thin Air, before striking out solo with her debut novel, Snow Storms in a Hot Climate (1988), a thriller inspired by her travels.

Sarah Dunant’s Unforgettable Stories

Dunant’s bibliography is a thrilling blend of contemporary mysteries and historical fiction, unified by her sharp prose and focus on women’s experiences. Her Hannah Wolfe series, featuring a witty British private investigator, includes Birth Marks (1991), Fatlands (1993)—which won the Silver Dagger Award—and Under My Skin (1995). These novels tackle issues like surrogacy, animal rights, and violence against women, all wrapped in fast-paced, feminist-driven plots.

In 2000, a transformative trip to Florence sparked a new chapter for Dunant. Inspired by the Renaissance, she penned a bestselling trilogy: The Birth of Venus (2003), a vivid tale of a young artist navigating love and societal constraints in 15th-century Florence; In the Company of the Courtesan (2006), set in Venice with a cunning courtesan and her dwarf companion; and Sacred Hearts (2009), a poignant story of nuns in a 16th-century Ferrara convent. These novels, lauded for their historical accuracy and sensual storytelling, cemented Dunant’s reputation as a master of the genre.

More recently, Dunant turned her lens on the infamous Borgia family with Blood and Beauty (2013) and In the Name of the Family (2017), offering a nuanced take on their political machinations and challenging myths about Lucrezia Borgia. Her upcoming work, The Marchesa (announced in 2025), explores Renaissance art patron Isabella d’Este, promising another dive into women’s historical roles.

Why Sarah Dunant Matters

Sarah Dunant’s impact lies in her ability to make history accessible and relevant, particularly through her focus on women’s stories often overlooked by traditional narratives. Her Renaissance novels, grounded in meticulous research, have been translated into 30 languages, resonating with readers worldwide. As a feminist and advocate for historical accuracy, she’s challenged stereotypes, notably in her reexamination of figures like Lucrezia Borgia, and inspired a new appreciation for women’s roles in the past.

Her work as a broadcaster and cultural commentator, including her BBC history podcast When Greeks Flew Kites, continues to spark curiosity about the past. Dunant’s legacy is one of storytelling that entertains, educates, and empowers, making her a vital voice in literature and cultural discourse.

  • Birth Date: August 8, 1950
  • Key Works: The Birth of Venus, In the Company of the Courtesan, Sacred Hearts, Blood and Beauty
  • Awards: Silver Dagger Award (1993), Shortlisted for Walter Scott Prize (2010)

Snag The Birth of Venus and dive into Sarah Dunant’s lush, empowering world of Renaissance intrigue!

Frequently Asked Questions

Who is Sarah Dunant?

Sarah Dunant is a British novelist, broadcaster, and critic born in 1950. Known for her Hannah Wolfe mysteries and Renaissance historical novels like The Birth of Venus, she blends feminist themes with gripping storytelling, captivating readers worldwide.

What are Sarah Dunant’s best books?

Sarah Dunant’s top books include The Birth of Venus, In the Company of the Courtesan, Sacred Hearts, and Blood and Beauty. These historical novels, plus her Hannah Wolfe mysteries, showcase her vivid storytelling and focus on women’s lives.

What inspired Sarah Dunant’s Renaissance novels?

A 2000 trip to Florence reignited Sarah Dunant’s passion for history, inspiring her Renaissance trilogy. Researching women’s roles in the 1490s, she crafted novels like The Birth of Venus, blending scholarship with captivating narratives.

Why is Sarah Dunant’s writing style unique?

Sarah Dunant’s style mixes sharp prose, feminist themes, and meticulous historical detail. Her novels, from gritty Hannah Wolfe mysteries to lush Renaissance tales, captivate with strong female leads and compelling, accessible storytelling.

What awards has Sarah Dunant won?

Sarah Dunant won the Silver Dagger Award for Fatlands in 1993. Her novel Sacred Hearts was shortlisted for the Walter Scott Prize in 2010, highlighting her prowess in historical fiction.

What is Sarah Dunant’s upcoming book about?

Sarah Dunant’s upcoming book, The Marchesa, announced in 2025, is a bold history of Isabella d’Este, a Renaissance art patron. It explores her influence as a female collector, continuing Dunant’s focus on women’s stories.