S.D. Perry Books in Order

Picture an American storyteller who brought the zombie-infested streets of Raccoon City to life and boldly explored the final frontier—meet S.D. Perry! Born Stephani Danelle Perry in 1970, this pro...

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With: Dave Stern

Picture an American storyteller who brought the zombie-infested streets of Raccoon City to life and boldly explored the final frontier—meet S.D. Perry! Born Stephani Danelle Perry in 1970, this prolific novelist has carved a niche in science fiction and horror, penning tie-in novels for iconic franchises like Resident Evil, Star Trek, Aliens, and Predator. With a knack for blending pulse-pounding action with rich character depth, Perry has thrilled fans for decades.

Perry’s work is a love letter to genre fiction, capturing the essence of beloved universes while sneaking in her own creative flair. Whether you’re dodging bio-weapons or warping through space, her stories pull you in and don’t let go. Let’s dive into the life and legacy of this horror nerd and introvert who’s been shaping sci-fi and horror since the ’90s!

The Making of S.D. Perry

Born on March 14, 1970, in the vibrant city of Portland, Oregon, S.D. Perry grew up with ink in her veins. Her father, acclaimed sci-fi author Steve Perry, was a towering influence, sparking her love for storytelling. Danelle, as she prefers to be called, started writing young, penning a poem about her cat at eight and keeping journals through her teens. Her big break came through her dad, who passed her a chance to co-write Aliens novelizations for Dark Horse Comics when he was swamped. From there, Perry’s career took off, fueled by her passion for horror, sci-fi, and fantasy.

By her mid-20s, Perry was already a fan of Resident Evil, battling zombies in the game’s spooky mansion when she landed the gig to novelize it. This blend of fandom and talent set the stage for her to become a tie-in titan, writing for some of the biggest franchises in pop culture while living quietly in Portland with her husband, Myk, their two kids, and their dogs.

S.D. Perry’s Unforgettable Stories

Perry’s bibliography is a geek’s dream, packed with novels that breathe new life into familiar worlds. Her Resident Evil series (1998–2004) is a standout, spanning seven books that adapt games like Resident Evil 2 and Code: Veronica while weaving original tales like Caliban Cove. These novels amplify the games’ survival horror with deeper character arcs—think Jill Valentine’s suspicions about Umbrella or Leon Kennedy’s inner turmoil over Claire Redfield. Perry’s knack for adding context, like explaining Chief Irons’ puzzle-laden paranoia, makes her adaptations sing.

In the Star Trek universe, Perry’s love for the original series shines through. She penned novels like Avatar, Book One and Two for Deep Space Nine, capturing fan-favorite characters like Kirk, Spock, and McCoy with wit and heart. Her Aliens and Predator books, including collaborations with her father, are gritty and intense, while her movie novelizations for Timecop (1994) and Virus (1998) showcase her versatility. Perry’s style is fast-paced yet intimate, balancing action with emotional stakes, often written to tight deadlines with music blaring to drown out distractions.

Though best known for tie-ins, Perry has dabbled in original work, like The Summer Man (2013), a character-driven thriller. Her ability to honor source material while adding her own spin—whether it’s new monsters or romantic subplots—has earned her a loyal following among fans of horror and sci-fi.

Why S.D. Perry Matters

S.D. Perry’s impact lies in her ability to make tie-in novels more than just cash-ins. In the ’90s, when novelizations were a nerdy pastime before smartphones, Perry’s Resident Evil books brought the games’ terror to life, offering richer narratives for fans who couldn’t get enough of Raccoon City. Her Star Trek novels added depth to beloved characters, making them feel alive beyond the screen. By taking creative liberties, like fleshing out backstories or introducing new threats, she elevated tie-in fiction into something fans cherished.

Perry’s legacy also inspires aspiring writers, especially women in genre fiction. As a self-professed horror nerd, she’s shown how to thrive in shared universes while staying true to your voice. Her work reminds us that even in sprawling franchises, a good story can still feel personal.

  • Born: March 14, 1970, Portland, Oregon
  • Key Works: Resident Evil: The Umbrella Conspiracy, Star Trek: Deep Space Nine – Avatar, Aliens: Labyrinth
  • Fun Fact: Perry played Resident Evil 50 times to nail details for her novels!

Ready to get spooked or beam up? Snag The Umbrella Conspiracy or Avatar and dive into S.D. Perry’s thrilling worlds!

Frequently Asked Questions

Who is S.D. Perry?

S.D. Perry, born Stephani Danelle Perry in 1970, is an American novelist known for sci-fi and horror tie-in novels for Resident Evil, Star Trek, Aliens, and Predator. Daughter of writer Steve Perry, she lives in Portland, Oregon, and loves crafting thrilling stories.

What are S.D. Perry’s best books?

S.D. Perry’s top books include Resident Evil: The Umbrella Conspiracy, a gripping novelization of the first game, Caliban Cove, an original Resident Evil tale, and Star Trek: Deep Space Nine – Avatar, Book One, a fan-favorite for its character depth.

What inspired S.D. Perry to write?

S.D. Perry was inspired by her father, sci-fi author Steve Perry, and her love for horror and sci-fi. Growing up in Portland, she wrote poems and journals early on, later diving into tie-ins after co-writing Aliens novels with her dad.

Why are S.D. Perry’s Resident Evil novels unique?

S.D. Perry’s Resident Evil novels stand out for adding deeper character backstories, new monsters, and richer context to the games’ survival horror. Written with minimal Capcom input, they blend her creative flair with the original PlayStation 1 vibe.

What is S.D. Perry’s writing style like?

S.D. Perry’s style is fast-paced and immersive, mixing intense action with emotional character moments. She honors franchise lore while adding her own twists, often writing to tight deadlines with music blasting to focus.